My books can be purchased as e-books for only $1.99. If interested, just click here: Books.
Match Play is a golf/suspense novel. Dust of Autumn is a bloody one set in upstate New York. Prairie View is set in South Dakota, with a final scene atop Rattlesnake Butte. Life is the Arbor is a children's book about Rollie Rabbit and his friends (on about a fourth grade level). The Black Widow involves an elaborate extortion scheme. Doggy-Dog World is my memoir. And ES3 is a description of my method for examining English sentence structure.
In case anyone is interested in any of my past posts, you can find an archive list at the bottom of this page.
Sunday, December 20
"Stopping by Woods on a Snowy Evening"
Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
See? Just a simple little picture painted in simple language in a simple poetic form. First, let’s look at this simple form: four quatrains (four-line stanzas) in iambic tetrameter (four feet of alternating unaccented/accented rhythm; a rhyme pattern that is a-a-b-a in the first stanza, followed by b-b-c-b in the second stanza, hooking the second to the first by using the rhyme in the third line of the first stanza as the predominant rhyme in the second; then doing the same for the third and fourth stanzas. This pattern is called interlocking rubaiyat (although a strict conformity to this would have five feet instead of four). Simple, right? The poet could go on and on, hooking together each stanza with the preceding in a poetic daisy-chain. Frost chose to use only four stanzas. But how to get out of the interlock? In his case, he simply repeats the last line, giving him a final stanza of d-d-d-d. Not such a simple form after all, is it?
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