My books can be purchased as e-books for only $1.99. If interested, just click here: Books.
Match Play is a golf/suspense novel. Dust of Autumn is a bloody one set in upstate New York. Prairie View is set in South Dakota, with a final scene atop Rattlesnake Butte. Life in the Arbor is a children's book about Rollie Rabbit and his friends (on about a fourth grade level). The Black Widow involves an elaborate extortion scheme. Doggy-Dog World is my memoir. And ES3 is a description of my method for examining English sentence structure.
In case anyone is interested in any of my past posts, an archive list can be found at the bottom of this page.
My newest novel, Happy Valley, can be found here.
Wednesday, August 9
The Big Sick
What a delightful film. The Big Sick should have been called The Big Love because it was more about the inexact nature of love than the oddity of life-threatening bacteria. If what I just said makes no sense to you, you’ll just have to go see this movie to get my point. Love is like quick silver, so brilliantly attractive yet so hard to pin down. Kumail Nanjiani is a standup comedian who just happens to be Pakistiani. Emily Gordon (Zoe Kazan) is in the audience at the Chicago comedy club where Kumail performs his five-minute routine at the mike. During his set she lets out an exuberant “Yahoo!” to which Kumail responds by telling her how rude it is to heckle a comedian. She tells him that she meant it as a positive reaction to his humor. He goes on to say that even a positive reaction during the piece is still heckling and rude. Later, he approaches her at the bar and they continue this good-natured banter, after which they end up in his bed. I guess I’m still not in tune with this generation’s sexual freedom. It seems like young people who meet in a bar just automatically end up in bed. No big deal. Just a bang that may or may not lead to a second or third bang. This one has multiple bangs with both Kumail and Emily suggesting that it probably won’t continue. But it does. The problem is that Kumail’s Pakistani parents are devout Islamists who would never approve of a non-Muslim, non-Pakistani girl for their son. At their dinners, they keep inviting drop-in visits from a variety of eligible young Pakistani women for Kumail to choose from. But Kumail keeps telling them he isn’t interested in any of them and deposits their pictures into a cigar box he calls his X-files. When Emily finally realizes that she will never be acceptable to Kumail’s parents, she breaks off their budding relationship. Okay, that’s the setup for an obvious conclusion. But it’s the way they get to that conclusion that’s so delightful. I fell in love with these two characters. The humor was subdued and clever and the audience’s reaction was unanimously good. Ray Romano and Holly Hunter play Emily’s parents who finally accept Kumail as the right man for their daughter. A really excellent film with the four lead roles all excellent. I give it six stars out of five. Go see it.
A day later, I read a few reviews on Rotten Tomatoes and discovered that Kumail Nanjiani was a real person playing the lead role, and that Emily really was his wife in both film and reality. The script was written by them, basing the story on their real romance. And that’s when I became conflicted. My delight at what I thought was a fictional romance lost some of its luster when I found that it was real. I guess I like romance in novels, plays, and film to be fictional, where the loving couple ride off into the sunset to live happily ever after. However, I know that true, lasting love and affection in real life is a rarity. I want Kumail and Emily’s love to last forever, but the odds against that are about a hundred to one. I don’t want to read in a few years that they’re getting a divorce. A real life breakup of these two would break my heart. The couple in the film will never get a divorce because their story ends on that “happily ever after” curtain.
As I said earlier, love is such an elusive animal. All too often in real life it doesn’t last a lifetime. But just look at all the films where two people find their love by movie’s end and how good it made the audiences feel to see this romantic connection and not have to suffer through a later disconnection: An Affair to Remember, Gone with the Wind, Love Actually, When Harry Met Sally, Pretty Woman, Sleepless in Seattle, You’ve Got Mail, Four Weddings and a Funeral, The Apartment, Pride and Prejudice. And the list goes on and on. Now you can add The Big Sick to that list.
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