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Most of what I've written has been published as e-books and is available at Amazon. Match Play is a golf/suspense novel. Dust of Autumn is a bloody one set in upstate New York. Prairie View is set in South Dakota, with a final scene atop Rattlesnake Butte. Life in the Arbor is a children's book about Rollie Rabbit and his friends (on about a fourth grade level). The Black Widow involves an elaborate extortion scheme. Happy Valley is set in a retirement community. Doggy-Dog World is my memoir. And ES3 is a description of my method for examining English sentence structure.
In case anyone is interested in any of my past posts, an archive list can be found at the bottom of this page. I'd appreciate any feedback you may have by sending me an e-mail note--jertrav33@aol.com. Thanks for your interest.

Thursday, February 14

Random Thoughts 1993


I’m stuck again, trying to find something worth writing about. I know the news is filled with stories that are interesting for one reason or another, most of which have to do with our POTUS, but lately I feel too lazy to work that hard for a blog. So, instead, I went back through my journals from 1993 to mine a few chunks of either gold or just fool’s gold. And here they are, loosely linked by that year when I’d finally retired at an age that was way too young. I’d really planned to, wanted to, retire in my mid-seventies, but student apathy became just too depressing to stay at it that long. Here are the nuggets from that year:

My kids are really starting to get to me, my students, that is.  Or is it really my non-students?  They don’t seem to care about anything anymore, only the games they play.  They’re so arrogant, rude, self-centered, and ignorant.  And they’re so smug about their ignorance.  I kicked two boys out of my first period class today.  One, a bright but lazy as hell black (chocolate tan really), gave a two-handed finger when I told him to do something.  Out he went.  Five minutes later, discussing a quiz I’d given them, I heard a not-so-quiet response to a comment of mine, “Who gives a fuck?”  Out he went.  That pretty well sums up their attitudes about me and school and life in general: the “who gives a fuck” generation.
* * *
If it ain’t broke, don’t fix it.
If you can’t fix it, don’t break it.
If you don’t break it, use it.
If you can’t use it, lose it.
If you can’t lose it, fake it.
If you can’t fake it, fuck it.
If you can’t fuck it, break it.
But if it ain’t broke, don’t fix it.

For some weird reason, I dreamed most of the above.  I was teaching a class and it seemed important to get the words right, and they were coming out right.  When I woke up they were still there, so I wrote them down pretty much as they are here.  I’m pretty sure the expression “If it ain’t broke, don’t fix it” is current and someone somewhere said it or sang it, but I don’t remember ever having heard it.  And what follows that first line is original with me (I think).
* * *
I’d really like to get all the books in the Matt Scudder series by Lawrence Block and then read them in order.  I’m trying to figure out why they’re so appealing to me.  Nothing much happens in most of them, nothing violent, that is.  It’s just Matt going from door to door prying out what seems like useless information.  But the characters are very good, and he doesn’t stint on anyone, no matter how minor the character.  He uses the first person point of view throughout, which is sort of unusual, and even in the pace and cadence of the words the reader gets this feeling of despair that lies at the heart of Matt Scudder.
* * *
I started a new Matt Scudder yesterday, When the Sacred Ginmill Closes, all about the problems of Matt’s drinking buddies who all hire him to solve them.  Now if I could just find them all at the same time so I could read them in order.
I finished Sacred Ginmill this afternoon.  The title’s from a song called “Last Call” by Dave Van Ronk.  Talk about a boozer’s lullaby.

And so we’ve had another night                  And so we’ll drink the final drink
Of poetry and poses                                       That cuts the brain in sections
And each man knows he’ll be alone            Where answers do not signify
When the sacred ginmill closes.                  And there aren’t any questions

And so we’ll drink the final glass                 I broke my heart the other day.
Each of his joy and sorrow                            It will mend again tomorrow.
And hope the numbing drink will last         If I’d been drunk when I was born
Till opening tomorrow.                                  I’d be ignorant of sorrow.

And when we stumble back again               And so we’ll drink the final toast
Like paralytic dancers                                    That never can be spoken:
Each knows the question he must ask        Here’s to the heart that is wise enough
And each man knows the answer.               To know when it’s better off broken.

Whoa!  Is that depressing or what?  But I’ll bet it hits it right on the nose for the dedicated drunks all over the world.
* * *
My brother-in-law Paul had this to say about one of the women who live near them: “He got a wife’d scare a cat off a gut pile.” I just had to write it down so I could someday claim it for my own.
* * *
My latest Matt Scudder, A Dance at the Slaughterhouse, is the one where he first meets the street kid TJ.  It was very good, but depressingly violent, with two really nasty German types who like to play sex games with young boys and then kill them . . . on tape, something called a “snuff” film.  And Matt joins his friend Mick Ballou to rob and kill them when he realizes the police aren’t going to be able to do a damn thing about them.
* * *
Friday, April 30, 1993
The last day of April.  I think I’ll be glad to get done with April.  Elliot said, “April is the cruelest month.”  I agree, although in western New York we get a whole lot of cruel months, months that just break your heart because you assume they’ll be nicer than they really are, just like a woman that promises with her eyes and then doesn’t come through, sort of a climatic prick-tease.
* * *
Saturday, May 1, 1993
May Basket Day in the old days, but I don’t think anyone celebrates the day as we did when I was a young boy.  Or maybe nobody even knows about this May Day ritual we had back in South Dakota.  As I remember it, boys and girls (very young boys and girls) would venture out to the front door of a potential sweetheart, place on the doorstep a basket of cookies and sweets, knock on the door, and then run like hell to avoid the pursuit from the young person who lived there, a pursuit which, if successful, resulted in a big kiss on the lips of the deliverer of the basket.  Wow, did it really happen that way?  How innocent, how prehistoric, how . . . South Dakota.
* * * 
I bought a Sting tape a few months ago and I never really listened to it until one of the songs got popular enough to be played with some regularity on the radio—“Fields of Gold”—and I fell in love with it.  So today I listened to the whole album looking at the lyrics.  Oh, my, were they ever good.  It’s called Ten Summoner’s Tales and all the songs seem to be related in that they tell stories of people set in some kind of magical Middle Ages.  Great music and vocals, but excellent lyrics.  I not only want to be able to sing them like he does, I wish I’d written them.  For example, here are the lyrics to “Fields of Gold”:
           
You’ll remember me when the west wind moves,
            Upon the fields of barley.
            You’ll forget the sun in his jealous sky,
            As we walk in fields of gold.

            So she took her love, for to gaze awhile,
            Upon the fields of barley.
            In his arms she fell as her hair came down,
            Among the fields of gold.

            Will you stay with me, will you be my love.
            Among the fields of barley?
            We’ll forget the sun in his jealous sky,
            As we lie in fields of gold.

            See the west wind move like a lover so,
            Upon the fields of barley.
            Feel her body rise, when you kiss her mouth,
            Among the fields of gold.

                        I never made promises lightly,
                        And there have been some that I’ve broken,
                        But I swear in the days still left,
                        We’ll walk in fields of gold,
                        We’ll walk in fields of gold.

            Many years have passed since those summer days,
            Among the fields of barley.
            See the children run as the sun goes down,
            Among the fields of gold.

            You’ll remember me when the west wind moves
            Upon the fields of barley.
            You can tell the sun in his jealous sky,
            When we walked in fields of gold,
            When we walked in fields of gold,
            When we walked in fields of gold.

Isn’t that something?  It’s all about romantic love and the passage of time, and how that love gets lost, or just grows old, whatever.  I’m such a sucker for romantic love.  I’m not at all sure that that isn’t the one thing that makes life worthwhile—romantic love, and even the nostalgic feeling of lost or unrequited love.  It’s better than sex, sex is so short-term, but romantic love makes life worthwhile while most of life isn’t worth all that much, not nearly as much as the gold in those fields as the sun goes down. 
* * *
This is a recent find and not from 1993, but it says so much about Donald Trump I just have to put it in here: “These intelligence officials say Trump displays what one called ‘willful ignorance’ when presented by America’s $81 billion-a-year intelligence services. The officials, who include analysts who prepare Trump’s briefs and the briefers themselves, describe futile attempts to keep his attention by using visual aids, confining some briefing points to two or three sentences and repeating his name and title as frequently as possible.” (Time, Feb. 18-25, 20)
* * *
There, have I found gold bullion or just a lot of bull? I leave it to you to decide.

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