Since I’ve been using oxygen at night (at a setting of 3 liters a minute), my dreams are becoming longer and more realistically vivid than they used to be. I guess that must suggest I’m not sleeping very deeply anymore. My eyes must just be flying around all night long. And I seem to be able to control the directions these dreams take, like a film director instructing the players what to do and say. For example, my golf dreams (which are almost as frequent as classroom dreams) in the past were surrealistic, involving really odd golf courses and situations, maybe with heavy snow covering the course as I play it, or heavy stands of trees that would make a hole impossible to play, or my ball lying between two rocks as I try to figure out how to hit it, or a tee shot that has to go through a room sort of like what you might encounter at the clown’s head on a putt-putt course. These were almost always dreams of anxiety, as were most of the dreams involving classes of recalcitrant students. But now the golf courses are almost normal, the shots normal, and the scores normal. The schools where I’m dream-teaching are no longer places that make me nervous. Sometimes now, I find myself not quite dreaming, not quite awake—that in-between place that happens too often at 3:00 a.m. And here my thoughts can go wandering all over the place. Strange words pop into my head, words the meanings of which I’m uncertain. Or ideas for a story or novel. As with most people who find great ideas in the middle of the night but who never write them down, these ideas often drift away with morning’s light.
Last night I was thinking about sentence structure and the peculiarities of the English language. I came to that strange English construction “let’s” and the sentence “Let’s let him do it.” The word “let” is an oddball. If you don’t believe me, check a good dictionary and see what it says about the many possibilities for this word. A linguistic explanation for the structure of that sentence would go like this: The main verb is in the imperative voice, or command, and the apostrophe in the first word stands for “us.” The second word “let” is equal to “allow” and the rest of the sentence “him do it” is acting as the object of “allow,” the thing we want to allow. The phrase “him do it” is really an infinitive phrase with the signal for the infinitive, “to” having been left out. The sentence then is equivalent to “You (understood) allow us to allow him to do it.” And the pattern would look like this:
The apostrophe to indicate the “us” is on its way to extinction. And when that mark’s loss is accepted, we’ll be left with a most peculiar word whose meaning is nearly indefinable.
Just look at this sequence:
“He lets me do it.” “He allows me to do it.” “He commands me to do it.” “He demands I do it (or that I do it).” “He regrets my doing it, or he regrets me doing it.” These last two sentences mean slightly different things: In the first, the thing he regrets is the “doing” and in the second, the thing he regrets is the entire idea of “me doing it.” Tricky, yes?
Now look at this sequence: “(You, understood) Let me do it.” “Let’s do it.” “Lets do it.” “Lets let him do it.”
Almost all traces of the imperative voice have disappeared. Are you asking permission to let him do it, or are you suggesting the person addressed agree to let him do it? And it also suggests they do it now, not later. As I said, this is all very tricky, and also quite strange for a 3:00 a.m. visitation.
I've always collected errors in diction, things people mis-hear, like "windshield factor" and "the next store neighbors." Years ago, one of my students wrote an essay in which she described the world as being harsh and cruel, "a doggy-dog world." I've since come to think she may have been more astute and accurate than those who describe it in the usual way. My Stories - Mobridge Memories -
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Most of what I've written has been published as e-books and is available at Amazon. Match Play is a golf/suspense novel. Dust of Autumn is a bloody one set in upstate New York. Prairie View is set in South Dakota, with a final scene atop Rattlesnake Butte. Life in the Arbor is a children's book about Rollie Rabbit and his friends (on about a fourth grade level). The Black Widow involves an elaborate extortion scheme. Happy Valley is set in a retirement community. Doggy-Dog World is my memoir. And ES3 is a description of my method for examining English sentence structure.
In case anyone is interested in any of my past posts, an archive list can be found at the bottom of this page. I'd appreciate any feedback you may have by sending me an e-mail note--jertrav33@aol.com. Thanks for your interest.
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