This
will be my last blog, a review of A Star
Is Born, and what will be my last reference to my Countdown.
I remember over fifty years ago when I
was teaching in Barstow, California, telling my students that Barbra Streisand
would become such a STAR (yes, caps) that soon no one would be able to afford
her. This was in 1965 right after her first television special My Name Is Barbra and Color Me Barbra in 1966. If you’re too
young to have ever seen these first two specials, you should go to Netflix to
see what I saw more than fifty years ago.
There are quite a few parallels
between Gaga and Barbra. The most striking is the nose, which many consider too
big on both. The second is the remarkable voice. Barbra’s might be considered
more perfect technically but Lady Gaga’s is a very close second. Technically,
what she did on “Lush Life” on the Tony Bennett special was breathtaking. No
singer has ever taken on that difficult song and come even close to what Lady
Gaga did with it. I became a fan when on the 87th Oscars I first
heard her sing a tribute to Julie Andrews with selections from The Sound of Music. And now again with
what she did in A Star Is Born. Barbra
wound up with Oscars for acting in Funny
Girl and best song with Paul Williams for “Evergreen” (from her 1976 A Star Is Born), a Tony for Star of the
Decade, lots of Grammies, and lots of Emmys. Guess what—Lady Gaga in A Star Is Born will probably win an
Oscar for best female lead and for best song with Bradley Cooper, “Shallow.” How
are those for Streisand parallels?
Now, what about the movie? I thought
it was tear-jerking fantastic, not just for my adoration of Lady Gaga and her
and Cooper’s songs, but also for what Bradley Cooper did as director and male
lead and for doing very well with his own singing. The script did pretty much
the same as the previous three versions of this story but differed somewhat with
the modernization of the conflict between Ally and Jack. In the opening
credits, the film even paid homage to Judy Garland, the second star in the Star Is Born series, by giving us eight
bars of the introduction to “Over the Rainbow.”
In
an interview with Stephen Colbert, Lady Gaga said she quit using makeup for
three weeks before filming just to get used to her normal face, which she
thought wasn’t very attractive. I kept looking in the frequent close-ups to see
what she considered a blemished face. Couldn’t see it. I also kept wondering
what they’d do about her two tattoos on the inside of both arms. Wouldn’t they
be too much a signature of Lady Gaga and not the character Ally? Yes. So they
covered both of them. Jackson Maine (Bradley Cooper) kept telling her she was
beautiful and she kept denying it. She’s beautiful in the same way Barbra is
beautiful, big nose and all. I loved the movie and would recommend it with five
of five stars. What will be the Academy Awards view? I think it will be
nominated for Best film, Best female lead, Best male lead, Best director, Best
song (“Shallow”), and possibly even Best supporting actor with Sam Elliot as
Jackson’s older brother Bobby. What will it win? Best film, best female lead,
best male lead, best director, and best song (even though at least two others
from A Star Is Born might have been
nominated).
What
about Lady Gaga? I hate having to call her that. The “Gaga” is too vomitous for
her, but her real name is also uncomfortable—Angelina Joanne Germanotta. I
think from now on I’ll just call her Lady.
This
will be my last blog. I had wanted to get to the end of the year, but I just
don’t have enough interest to keep it going. If I had to find a movie to review
for my last blog, though, I couldn’t have found a better one than A Star Is Born.
This
will also be my last Countdown. My trip to Harkins Theater to see A Star Is Born presented a much greater
problem than I thought it would be. It took me forever to get from the car into
the Harkins multiplex and then into the theater. I was using my four-wheel
walker with attached seat and I had to sit down every forty or fifty steps,
then wait five minutes for my oxygen level to get back to acceptable. Finally I
got into the theater and got seated, panting like a dog. Watched the whole
movie worrying about whether I would or wouldn’t have enough oxygen to make it
back to the car. I did. But I also decided that this would be the last movie I’d
ever see in a theater. It had been too tough on me and too tough on Rosalie, my
caregiver. Nothing from now on but home films on Netflix or Dish rentals. That
made me wonder how much longer I’d be able to go out for dinner with Rosalie.
Probably not much longer. Nothing from then on but home-cooked meals mainly prepared
by chef Marie Callender. That made me wonder again what my acceptable level of
life is. My world keeps shrinking, my interests keep dying, and my acceptable
level of life keeps going down. I’m not suicidal, but I do keep wondering how I
might get to Oregon if push ever comes to shove.
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