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Most of what I've written has been published as e-books and is available at Amazon. Match Play is a golf/suspense novel. Dust of Autumn is a bloody one set in upstate New York. Prairie View is set in South Dakota, with a final scene atop Rattlesnake Butte. Life in the Arbor is a children's book about Rollie Rabbit and his friends (on about a fourth grade level). The Black Widow involves an elaborate extortion scheme. Happy Valley is set in a retirement community. Doggy-Dog World is my memoir. And ES3 is a description of my method for examining English sentence structure.
In case anyone is interested in any of my past posts, an archive list can be found at the bottom of this page. I'd appreciate any feedback you may have by sending me an e-mail note--jertrav33@aol.com. Thanks for your interest.

Thursday, December 20

The Sea of Trees


         
          Since the holiday season has so flooded the screen with reruns and Christmas drivel, we went on Netflix the other night to find a movie worth watching. We found The Sea of Trees with Matthew McConaughey, Naomi Watts, and Ken Watanabe. I assumed, somewhat erroneously, that anything McConaughey chose to do would be good or, maybe like Mud or The Dallas Buyers Club, even very good. Wrong. Although this wasn’t a clinker, it wasn’t a diamond in the rough either.
          Arthur Brennan has recently lost his wife (Naomi Watts) to cancer and a tragic auto accident and he’s decided he should find “the perfect place to die,” where he might kill himself to show his dead wife that he really loved her despite all their grievances. He flies to Japan (one-way ticket, no luggage—sort of a dead giveaway for his reason to go there) where, at the base of Mount Fuji, he enters a park, a sea of trees where others before him have gone to end their lives.
          The story is told in a series of flashbacks to show us what his marriage was like before and after his wife’s death. On his trek into this vast parkland and just as he is about to take his life with drugs he’s brought with him, he meets a Japanese man (Ken Watanabe) who is in much pain from various wounds, apparently from his own attempt to kill himself. He helps the man, even giving him CPR when he loses consciousness. Together, both now deciding for life instead of death, they try to find their way back to the parking area. After much stumbling and falling they find a small tent left behind by someone who has successfully killed himself where they take shelter from the heavy rainfall. Brennan makes the difficult decision to leave his exhausted companion behind to find a way out of the forest, vowing to the man that he would come back for him.
          Gus Van Sant directed, and one would think that someone who has Good Will Hunting and Milk under his director’s belt that he might have done better with this one. Wrong again. As I said at the beginning, the film was somewhere between not very good and not too bad, sort of that middle ground where low-budget films go to die. Or, in this case, go into a sea of trees.

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