I've always collected errors in diction, things people mis-hear, like "windshield factor" and "the next store neighbors." Years ago, one of my students wrote an essay in which she described the world as being harsh and cruel, "a doggy-dog world." I've since come to think she may have been more astute and accurate than those who describe it in the usual way. My Stories - Mobridge Memories -
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Sunday, March 31
Ho Hum Easter Sunday
Tuesday, March 26
Kristen Chenoweth & The Call

Kristen Chenoweth appeared on PBS’s series “Live from Lincoln Center” in an hour-long set of great songs from great Broadway musicals. It was called The Dames of Broadway . . . All of ‘Em!!! and she tried her best to include every dame ever. Kristen Chenoweth is a tiny blonde package who just explodes on stage. She’s forty-four but you’d never know it to look at her, and she’s got a voice that belies her tiny frame—4’ 11”, just under a hundred pounds. With the help mainly of her musical director on the piano and a trio that came in midway through the performance, she sang a bunch of songs most of which I wasn’t familiar with. And I’m a lifetime lover of and follower of Broadway musicals. The songs weren’t your usual singalong songs, the ones that make it on the singles charts, like “Oh, What a Beautiful Morning,” “Some Enchanted Evening,” “The Impossible Dream,” or “My Funny Valentine.” These were “My White Knight” as sung by Marian the librarian in The Music Man, “Green Finch and Linnet Bird” from Sweeney Todd, “My Lord and Master” as sing by Tiptum in The King and I, “It’s a Quiet Thing” from Flora the Red Menace, “When I Marry Mr. Snow” sung by Carrie Pipperridge in Carousel, “Old Maid” from 110 in the Shade, and Mary Martin singing “Moonshine Lullaby” from Annie Get Your Gun. Wow, what a dramatically musical evening. I was especially struck by "It's a Quiet Thing." I remember first encountering this song when I heard it fifty years ago recorded by Morgana king in her oh so quiet voice. If you’d like to see Kristen's show, go to www.pbs.org and check in with the Live from Lincoln Center performances. Watch her here as she does a dame she didn't include in the PBS show, "Glitter and Be Gay."
And if you want to see a thriller that really thrills, go see Halle Berry in The Call. Hell, even if it doesn't thrill you, it's worth it just to see Halle Berry. She may just be the most beautiful woman in the world. She plays a 911 operator with the LAPD, but loses her nerve after she loses a girl to a killer who takes her from her bedroom while she's speaking to Jordan Turner (Berry), the killer saying to the operator when she pleads with him not to kill this little girl, "It's already done." Six months later, after Berry has given up her job on the phone and taken up teaching new 911 recruits, another girl is taken and calls 911 from the trunk of the car she's in. The girl, Casey Wilson (Abigail Breslin) is a young blonde with a hauntingly familiar face that finally came to me after we left the theatre--little Miss Sunshine from that movie nearly a decade ago. It's never made very clear what motivated the bad guy in his taking young blonde women, but he's one spooky dude. And at the end of the movie, the phrase "It's already done" takes on a whole new meaning. Go see it. You'll know what I mean.
Sunday, March 24
Kitty Fixing
Friday, March 22
Buddy Holly & Jack the Giant Slayer


And speaking of fun, that’s what marked Jack, the Giant Slayer. Not much of a movie except it was a lot of fun, especially in the encounters of Jack and others with the grubbiest set of giants one could imagine. This was a movie I’ll forget in a few weeks, but I enjoyed it as I saw it. Since we chose the non-3D version, I can only imagine what it was like in 3D—toppling bean stalks crashing into the audience, flaming arrows coming at us, giants throwing tiny human bodies at us. Such fun. And the giant cook plucking a huge booger from his nose and then eating it. Such fun. At least, all the booger-eating children in the audience thought it was hilarious.
Tuesday, March 19
Freecell Frenzy
I’ve been playing Freecell on my computer, and I find it distressingly addictive. “Distressing” because it takes me away from reality for much too long each time I get hooked. I love the symmetry of the cards. I love to sit and ponder eight or nine or more moves before I ever commit to a move. I find that all games are winnable if one just takes time before jumping off the deep end. I also remember when I was first introduced to the game. We had little to do in Korea when we were assigned to sit in a bunker and keep track of enemy movement—chow on K-rations, smoke (oh, lots and lots of smoking), read whatever books or magazines parents sent to us, play cards. One of my bunker mates showed me Freecell. With real cards the game is a little different than the computer version. Shuffle, then lay out nine columns of cards in descending order, from nine on the left, to eight, then seven, etc. until the last column of only one card. Cards are moved as in other standard solitaire game, red jack on black queen, etc. The player always hoped for an ace in that first or second column or something that could be moved to free up a space or two. The seven extra cards were freebies that could be used at any time. The trick was to get enough free spaces to be able to move multiple cards. And, like the computer version, nearly every layout could be solved if one were patient enough. The computer version, my present addiction, is a fun challenge, and whenever a game is won, the cards all fly up to the aces and then come crashing down to computer bottom, breaking up into colorful card pieces. And now that I’ve written this, I guess I’ll play another game . . . or two. If you've never tried it, you can do a search using "Freecell" and find a number of free downloads of the game. You, too, can become addicted.
Monday, March 18
Robert Crais & Golf
My golf is getting better (but then I don’t see how it could have gotten any worse). Today I came within one stroke of shooting my age. I got my first age-shoot at 70. Then, when I got to be 74, I thought I’d be doing it every third or fourth time out. Whoa! Was I ever wrong. I managed it about a dozen times after the first time, but then the health problems set in and I couldn’t get even close. See, the Catch-22 in golf is that as you get older and older, it should get easier and easier to shoot one’s age, but instead the scores keep getting higher and higher. I enjoyed watching Stacy Lewis win the LPGA tournament last weekend in Phoenix. What an extraordinary story hers is, eleven years in a back brace, multiple surgeries on her spine, lots of pins and rods holding her together. It was a courageous win and one she justly deserved. I did feel sorry for poor Ai Miyazato, though. One bad swing with her pitching wedge and she came undone on the sixteenth hole. And next weekend, at the Arnold Palmer Invitational, we get to see if this Tiger is for real or is just a pussy cat. I’m hoping he’s for real. I’m betting he is.
Wednesday, March 13
3D
Another step into the future that’s happening even as I speak—the effect that DVR’s now have on television and will have in the future. How will television be funded if commercial revenues dry up because viewers are now “saving” shows on their DVR’s and fast-forwarding through all the commercial garbage Will all channels become like PBS, pleading for donations? Or will we see an end to the many many channels like History, Lifetime, Bravo, Discovery, and Hallmark that can’t continue without commercial revenue?
This morning I was greeted on the front page of the Arizona Republic with a picture of our governor Jan Brewer, telling us of her plan for expanding Medicaid in Arizona. She seems to be seen on the tube or in the news more often than she should be. The woman tries to look like she’s an attractive forty-year-old when she really would have been perfectly cast as the wicked witch in this latest Oz. Her face has been lifted so often she now has nipple cheeks and a belly button in the middle of her chin. I guess you could say I’m not a fan of Jan Brewer.
Tuesday, March 12
Oz the Great and Powerful
We saw Oz the Great and Powerful today, and were both enchanted by this enchanting tale of a place everyone knows from the original 1939 film. I first became an Oz fan when I was a wee lad and discovered the L. Frank Baum series of books. They were my keys to the kingdom of books, and I’ve been an omnivorous reader ever since. I think I was more enchanted by the special effects of the 3D than by the story or acting. In fact, if I’d seen it in regular vision instead of 3D, I’m not sure I’d have been so positive in this review. James Franco just didn’t seem right as the somewhat sleazy Oscar Diggs. I can’t put a finger on it—his smile? his delivery of lines? Just something that wasn’t quite right. Or maybe I was remembering fat Frank Morgan as the original Wizard, gray and flustered by Dorothy, the Tin Man, and the Cowardly Lion. And Mila Kunis wouldn’t have been my first choice as witch Theodora, nor my second or third or fourth. She’s eerily beautiful with those huge brown eyes but I don’t see her as a Baum witch. Maybe I’m just put off by her role in Black Swan. Didn’t care much for that movie or her role in it. But Michelle Williams was perfect as Glinda. She has to be the sweetest female in Hollywood right now. She’d probably love to have an evil role someday but I don’t think she could pull it off. Just too sweet. The story of Oscar’s tornado ride to Oz and what followed was all right, but a bit thin. The film paid homage to the original by showing the first scenes in Kansas in black and white, expanding to color when Oscar first views Oz. And what color and effects he and the viewer sees—flowers opening in his path, multi-colored birds flitting around his head and right up to us in the audience, cascading waterfalls, clouds of butterflies. And Mila Kunis coming through the underbrush to find Oscar, looking like a fashion model in her red hat and dress. Two of the most delightful characters in the movie are his little monkey buddy Finley and the tiny China Girl. I guess what I’m saying is that the 3D version of Oz the G & P is well worth seeing, but maybe not the regular version.
Sunday, March 10
No News, Good News
A new pope will be elected soon, maybe as soon as next Tuesday. And the cardinals will use the old smoke signal to let us know yes or no—white for yes, black for no. That sounds just silly in this high-tech age. Why not just let the world know via television?
North Korea, like a feisty Pekinese, is growling about a nuclear attack on the U.S. What silliness. They’re a small nation just north of their sister nation South Korea. Can’t they see how much better life is to the south of them? Life in North Korea is, at best, difficult for most of its citizens. Life in South Korea is, most certainly, very good and prosperous for most of its citizens. Has Kim Jung Un, North Korea’s young leader, lost his mind? Has he convinced his citizenry that they’re starving because the hated U.S. is responsible for their sorry state? Does he really think his imperial army could compete with U.S. forces in an all-out war? Does he think we’re all as weird and crazy and stupid as Dennis Rodman?
We watched a segment on the news about the effect of global warming on the South Polar ice cover. The global warming expert reported that if all the South Polar ice were to melt, the depth of all oceans would increase by about two football fields. Wow, that’s a lot of water. He failed to tell us what that would do to the world’s coastlines, but I can only imagine we’d all be crammed together onto a lot less land than we now have.
The panelists on the Chris Matthews Show were speculating about the 2016 presidential candidates, that it would be amusing to see another Clinton-Bush battle—Hillary and Jed, that is. I’m more than ready for Hillary, but do we really need to see another Bush?

Tuesday, March 5
The Crying Game

The Crying Game is the story of the Irish terrorists who seize a black English soldier as a bargaining piece for one of their captured buddies. The soldier, Jody (Forest Whitaker in a very early role), who is supposed to be shot by one of his captors, is accidentally killed trying to escape, and Fergie, the terrorist who had befriended Jody, goes to England to try to make it up to him by seeing if the soldier’s girl friend, Dil, is getting along all right. What an off-the-wall love story. But what a good film. Dil turns out to be a man in drag, but only after the Irishman, who now goes by the name Jimmy, has fallen in love with her/him. It just goes to show that love can come in many forms. For all of us who assume that homosexuality is somehow deviant, this film may have prompted us to look at the relationships between men and women in a somewhat different light. Is Jimmy, now in love with a man who he first assumed was a woman (and a very attractive woman she/he was), a homosexual? Or is he just a person who fell in love with another person, regardless of physical genders? Very confusing, because the viewer is totally sympathetic to both characters; they’re easily the most likable people in the movie. Ten years after I first saw this movie, I rented it and saw it again. I noticed things about the film I hadn’t seen the first time. They opened with a rendition of “When a Man Loves a Woman” and concluded with “Stand by Your Man” as Dil is seen visiting Jimmy in prison, where he still has about seven years to go on his sentence. She will wait for him and they will be together thereafter. Or maybe not. Also, I saw the irony of the bound Jody’s comments to Fergie when Jody had to urinate and Fergie had to open his pants for him and take out his “piece of meat” as Jody called it, and then reinsert it after Jody was finished. It’s all very complicated, but I’m so glad we’re now approaching a time when we can accept the complexities of love and marriage and sexual relationships.
Monday, March 4
One-Eyed Jacks & Zero Tolerance

A comment on the zero tolerance policies in some schools recently, relating to students who bring in guns or knoves. Okay, so there must be a policy forbidding students to bring in stuff that could be harmful or even lethal to other students. Right. But when schools also expel kids in kindergarten or first or second grades who point a thing made out of lego blocks and go "Kachoo! Kachoo!" or who have a bubble-blowing gun, or who, god forbid, point a finger at a classmate and go "Bang!" they've taken Zero back to about negative 100. There should be some rational adjustment behind zero tolerance. I remember when I grew up (yes, a long time ago) we had cap guns we could use to play Cops & Robbers, or in the summer we could have elaborate war games in the park with our rubber guns (homemade wooden guns and rifles with Mom's clothespin attached to hold a stretched piece of innertube) and hardly anyone thought we really meant any harm when we pointed an index finger at someone and went "Bang!" Beebee guns were a little more dangerous, but never lethal. And slingshots, although potentially dangerous, were never, in my memory, used to shoot at another human being. Come on, schools and school administrators, use your heads.
Friday, March 1
Quartet & The Pope
We just saw the most delightful film, Quartet, about aging and the old people who live in Beecham House, a retirement community for old musicians in lovely English countryside. I think if I couldn’t live in Sun City West, Arizona, I’d like to live out my days in Beecham House, especially if I could live there with this cast of delightfully wacky and talented musicians. Dustin Hoffman directed. Thank you, Dustin, for giving us this funny and moving film. Every October 10th, the residents of Beecham House put on a show to celebrate Verdi’s birthday and to generate enough money to keep the place running for at least another year. When prima donna diva Jean Horton (Dame Maggie Smith) moves in, just knowing she’ll hate living like any other old person without much money, the three other people with whom she once sang Verdi’s “Quartet” from Rigoletto try to convince her to sing it again with them, she violently tells them no.. Reggie Paget (Tom Courtney) is one of the four, an ex-husband of Horton’s who has never gotten over their breakup. The other two are splendidly funny—Wilf Bond (Billy Connolly) as the handsome, lecherous old devil who propositions every female in sight, even though he probably wouldn’t know what to do with any of them if they should take him up on his propisition; and Cissy Robson (Pauline Collins), a forgetful lady with, as Wilf, describes her, the best tits in the UK. The acting is all top rate, the English scenery breathtaking, the music throughout excellent . . . and the humor is to die for. This isn’t a movie that would have a lot of appeal for anyone under fifty, but for anyone over fifty it’s a must see.Pope Benedict is now officially out of office, having abdicated his “throne” because of ill health. I don’t know why this should have been such a big deal to so many Catholics. I don’t know why he should have been the first to step down in almost seven hundred years. Is any pope a leader or is he just a human symbol to those in the Catholic faith? If he is, indeed, a leader, then he or any other pope before him should have stepped down when age and failing health make it impossible for him to lead. If he’s just a symbol, then I guess he can continue his popedom until he dies, even if he’s lying in a coma in Vatican City. I guess, not being a Catholic, I just don’t understand all the popish pomp and circumstance of the Vatican nor of the Catholic service.