I've always collected errors in diction, things people mis-hear, like "windshield factor" and "the next store neighbors." Years ago, one of my students wrote an essay in which she described the world as being harsh and cruel, "a doggy-dog world." I've since come to think she may have been more astute and accurate than those who describe it in the usual way. My Stories - Mobridge Memories -
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Most of what I've written has been published as e-books and is available at Amazon. Match Play is a golf/suspense novel. Dust of Autumn is a bloody one set in upstate New York. Prairie View is set in South Dakota, with a final scene atop Rattlesnake Butte. Life in the Arbor is a children's book about Rollie Rabbit and his friends (on about a fourth grade level). The Black Widow involves an elaborate extortion scheme. Happy Valley is set in a retirement community. Doggy-Dog World is my memoir. And ES3 is a description of my method for examining English sentence structure.
In case anyone is interested in any of my past posts, an archive list can be found at the bottom of this page. I'd appreciate any feedback you may have by sending me an e-mail note--jertrav33@aol.com. Thanks for your interest.
Thursday, July 11
The Heat
Melissa McCarthy, in The Heat, came close to duplicating her role in Identity Thief--rough, foul-mouthed, slovenly. I didn't care much for her in Identity, almost no redeeming qualities, but I liked her in Heat. In Identity she plays a nasty felon but in Heat she's Shannon Mullins, a non-conforming but effective Boston cop. Sarah Ashburn (Sandra Bullock), a New York FBI agent, travels to Boston on a drug ring case and has to team up with McCarthy. And it's not a happy union . . . at first. The two start out as personality polar opposites, agent Ashburn a hard-to-like, uptight, by-the-book ex-nerd. But, naturally, by the end they meet in the middle, both coming to admire the other. In fact, it was apparent throughout that the two of them got a kick out of playing these two dissimilar people, bonding in real life as well as in the film. Only one part bothered me. There's a long scene in a grungy bar where they're doing shots of tequila (at Mullins's urging) and it goes on for the entire night. It was suggesting that real people can do shots and do shots and do shots without any ill effects except for a hangover. That gives young people a dangerous example to follow. One can't do shots for a whole evening. One tends to die. But although this wasn't even close to great cinema, it was certainly better than Identity Thief and was entertaining enough to warrent a trip to the theater. Besides, what a great excuse to munch popcorn.
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